Craving Cicchetti

Sometimes, when planning an evening out, someone will ask where I would like to go for dinner.  Often a local restaurant (whether I am in Lucca or back in New Mexico) sounds just right. But other times the place I want, the flavors I crave, are far, far away.  And nothing else will do. Right now, what I am craving is some really good cicchetti. 

The word cicchetti does not have an exact English translation.  Not to mention it may be second only to bruschetta as the most mis-pronounced Italian culinary word.   Let’s start there – the “ci” in Italian is pronounced like the English ”ch”, and the “ch” in Italian is a hard sound, like an English K.  So, pretty much backwards from English.  And those double consonants are drawn out. So, for an English speaker, cicchetti is pronounced something like this:  chik-KET-tee.  Cicchetti. Yum.

A plate of assorted cicchetti from Bacaro Frascoli in Padova. Fried cheese wedges, a tuna croquette, a cheese and caponata crostino, some fried anchovies, and - my favorite - baccalà mantecato .

The closest translation to the word cicchetti would be the Spanish word tapas. Or perhaps small bites or little side dishes.  A bruschetta can be a type of cicchetti as can miniature panini. Both cold and hot little dishes can be cicchetti. Put a bunch of these tasty little bites together, add a glass of wine, and you have dinner.  

All’Ombra della Piazza in Padova has a wonderful cicchetti bar with a seemingly endless variety from which to choose. No problem going back for seconds!

Bacari, or wine bars, serving cicchetti, are a Venetian tradition. They can be found in wonderful hidden corners of Venice and in some of the nearby towns of the Veneto, such as Padova.   Just about 4 hours by train from Lucca, a visit to either place is sure to include a stop for cicchetti at a local bacaro or cantina. It is a sure bet that the atmosphere will be lively, the wines good, and the variety of cicchetti will make it hard to choose.

It is no surprise that, like many Venetian dishes, cicchetti often feature fish. The classic version is a small piece of toasted bread topped with baccalà mantecato, a creamy, whipped salted cod.  Mixed with good olive oil, it is a simple but oh so good dish.

Sardines are often on the menu too, fried and in a vinegary dressing or just served fried and hot. 

Also classic are polpette, little fried croquettes made of meat or fish.   Some versions include potatoes mixed with cheese, meat, or fish. 

At Cantina Do Spade there were many types of fried cicchetti to try.

Hot dishes of a couple of spicy shrimp or a single flavorful scallop are on the menu too. Not a fish fan?  Well there are also fried olives or crostini topped with assorted ingredients – cheese, caponata, pumpkin, caramelized onions, lardo, salumi. The selections are endless and change over the course of an evening because as fast as they are eaten they are replaced with something new and different!

The cicchetti bar at Cantina Do Spade is tiny (though there is a bigger restaurant in the back). We were fortunate to find 4 seats!

A bacaro is typically small with limited seating or sometimes no seating at all.  Head to the bar, pick out an assortment of cicchetti, order a glass of wine and either stand at the bar or head outside to enjoy your dish perched on a bench or a canal wall.  If you arrive right when the place opens you just might snag one of the few seats. This was the case at Cantina Do Spade in Venice when some friends and I enjoyed a plate (ok, several plates) of cicchetti and a glass (maybe two) of wine. 

I am in Lucca now, far from my favorite cicchetti places in Padova and Venice.  I’ll have an aperitivo with friends tonight, but the little bowls of peanuts and potato chips they’ll serve will leave me longing for a good bacaro and some of my favorite varieties of cicchetti.   Time to plan a couple of days in the Veneto!

A selection of cicchetti at All’Ombra della Piazza in Padova. Most of their selections on the night we visited were crostini topped with cheese plus a variety of toppings. It was impossible to choose a favorite.

Cantina Do Spade S. Polo 859 Venezia

All’Ombra della Piazza Via Pietro d’Abano 16. Padova

Frascoli Bacaro / Cicchetterai Veneziana. Via del Santo 93. Padova

Venice Biennale 2024

This art installation was suspended from the ceiling in the British Pavilion.

Every two years the city of Venice hosts Venezia Biennale Arte, an international art and architecture exhibit.  The 2024 Biennale, curated by Adriano Pedrosa of Brazil, marks the 60th edition of the show. This year’s exhibit, with more than 300 participating artists from 88 countries, opened in April and continues through November 24th.

The Biennale takes place mostly at the far end of Venice, at the Arsenale (where all of the large naval ships are anchored) and in the pavilions of the Arsenale Gardens. Additional works can be found throughout the city of Venice.  The Arsenale Gardens is home to the permanent pavilion of the larger national exhibits. It’s easy to spend hours here, wandering through the exhibits, stopping at one of several cafes, and enjoying the grounds as well as the outdoor art pieces.

The 2024 show’s title is Stranieri Ovunque – Foreigners Everywhere.  An explanation of the theme in the exhibit’s literature reflects the idea that we are all, at some level, a stranger. 

In keeping with the theme, many of the works are by “outsiders”, including artists who have been treated as foreigners in their own lands or cultures.  The foreignness relates to concepts such as indigenous status, sexual orientation or identity, political beliefs, colonization of lands by foreign powers, or immigration status. This theme was especially evident in Spain’s Pavilion which included a Migrant Art Gallery and a Migrant Garden.  

A number of the works are political in nature.  Others portray themes of environmental sustainability, history, migration patterns, and culture. Italian culture and history was represented in several pieces in the Central Pavilion. The one below, titled The Cutting and Sewing School, was particularly captivating. It seemed to show the old ways slowly fading away.

Italy, The Cutting and Sewing School

Belgium, Petticoat Government

The art was fascinating, at times confusing, other times enchanting. Some pieces were uncomfortable or downright disturbing.  All were thought-provoking – and isn’t that just what art is meant to be? 

At a certain point I realized that it was impossible to read all of the accompanying descriptions, much less take notes, and still see as many of the pavilions as possible. For that reason, in this post, I have included photos identified mostly by the name of the country’s pavilion without detailed explanations of the works and with apologies to the unnamed artists.

I leave the interpretations of each work up to you!

Canada.  The background is made up of strands of glass beads.  This light and airy room was a great place to linger.

While some of the darker and more disturbing images gave me much to consider, it was the ones that reflected shared history, hope, unique ways of living, and light that most grabbed me.

I spent a long time looking at one captivating piece entitled The Crucifixion of the Soul, by Madge Gill (below).

The work was a 10 meters (~32 feet) long ink on fabric drawing made up of a series of female faces and intricate backgrounds. All crafted from tiny lines in 4 colors of ink. Her work was so unique that I had to know her story.

I was surprised to learn that she was not a contemporary artist but rather that she lived from from 1882 to 1961. She is considered an “outsider artist” - one who is self-taught and has persisted in their art despite poverty or mental illness. Madge Gill was indeed a stranger in her own world, and a perfect representation of the Biennale theme.

80+ countries participated in this year’s Biennale.  I particularly loved the US one, which was filled with works reflecting Native American culture. It was the first time that a Native American Artist (Jeffrey Gibson) was chosen to represent the United States at the Biennale.

The forms, colors, and beadwork were nothing short of spectacular.

My many years of living in New Mexico made these pieces especially meaningful to me.  I wasn’t alone in my delight in this exhibit - the number of people spending time in this pavilion and taking photos made it clear that these pieces were appreciated by many.

 Moving through France’s pavilion was to take an undersea journey, a reminder of the importance of our oceans and the life within them.

 A few of my other favorites:

Finland - The Pleasures We Choose

 Hungary, Techno Zen. A multimedia installation with sound, light, movement, and a riot of color (below).

This was my first ever experience at the Biennale.  With just one day in Venice, I was able to see many of the exhibits in the Arsenale Garden but ran out of time for the ones in the other Arsenale and city locations.  When the Biennale returns in 2026, I will need to plan two full days!

Brenta Canal Part Three: Villa Widmann

 After visiting Villa Pisani, the largest and most grand of the “Brenta Riviera” villas included on a recent day-long trip along the Brenta Canal, we reboarded our burchiello to continue the journey towards the Venetian Lagoon.  After passing through the Dolo and the Mira locks, the next stop was the town of Mira, mid-way between Padua and Venice. There, we paid a visit to an 18th century gem, the Villa Widmann.

 (Above, frescoes at Villa Widmann, artist unknown)

Villa Widmann is much smaller than Villa Pisani, but every bit as glamorous.  The size and style of the home evolved from the early 1700’s when it was built by the Serimann family of Venice to the mid-1700’s when the Widmann family purchased it.  Over time, the villa had a series of owners, a fact reflected in its complete name - the Villa Widmann-Rezzonico Foscari.  Eventually ownership returned to a later generation of Widmanns who owned the villa until 1970.  Today, it belongs to the City of Venice. The villa is open for tours, events, and exhibits. And, fortunately, it was included on our Brenta Canal day cruise.

The villa is sumptuous.  Like the larger villa Pisani, the house wraps around a frescoed ballroom with a large and ornate balcony overhead.  The huge venetian glass chandeliers that light the ballroom are impressive works of art. 

 Heading upstairs, we found elegant bedrooms, sitting rooms, and en-suite bathrooms. 

The upper floor also held the entry to the lofty balcony above the ballroom.  Stepping out onto the balcony provided a wonderful birds-eye view of the frescoes overhead, the chandeliers, and ornately decorated ballroom below. 

Looking down into the ballroom from the balcony above. This is the view the musicians would have had when the entertained the guests.

The barchessa, an outdoor service building which would have housed kitchens, stables, and storage, is a long building behind a series of graceful arches.  Peek inside to see the old carriages and saddles in the stable

  The villa is elaborate and yet somehow the scale is cozy.  It’s easy to imagine a life here - from family dinners to card games to fancy balls.

After a lunch break, we were on our way to the Villa Foscari, the closest to Venice of the three villas visited on this canal cruise and the only one by the architect Andrea Palladio.   More on that in a future post!

The gardens are filled with statues, a large greenhouse, and lots of leafy trees

Brenta Canal Part Two: The Villa Pisani

The Villas along the Brenta Canal were built between the 16th and 18th century.  Some were built for agriculture and commerce but many as summer getaways for rich and powerful Venetians.  They lined the canal between Venice and the city of Padova, forming an extension of Venice that became known as the “Brenta Riviera”. 

A beautifully decorated hallway in Villa Pisani

The front entrance to Villa Pisani

The villas were designed to impress.  Their ornate trimmings, art filled halls, grand ballrooms, and sweeping gardens played host to Doges, Popes, Kings, Emperors, artists and wealthy merchants during the height of the Venetian Empire.   After the fall of Venice, in 1797, with the arrival of Napoleon, many of the villas changed hands, often due to the financial problems of the owners. 

Today some villas are in disrepair (imagine the costs of upkeep!), some are abandoned, some have been converted into museums, restaurants or hotels. Others are privately owned. A few of the most spectacular ones are open to the public.

The villas can easily be visited by car, but a more elegant (though much slower) way to tour the villas is to arrive by burchiello – a modern version of the historic boats that once moved people and goods along the canal. That is exactly what a group of friends and I did recently.  The boat trip from Padua to Venice took about 9 hours, with stops at 3 villas along the way.  The visits included a guide who shared the history of each villa, details about the art and architecture, and some good 16th – 18th century gossip about villa life.

The first villa on the itinerary was Villa Pisani.  Built to celebrate the election of Alvise Pisani as the 114th Doge of Venice, the villa is the crown jewel of the Brenta Riviera.  The Pisani family owned the villa until it was sold to Napoleon in 1808.  

The villa is remarkable in many ways.  First, its size.  The place is massive!  The 144 rooms are said to represent the number of Venetian Doges up to Pisani.  One room is filled with wall mounted sculptures of the head of each doge.  Look carefully on the wall to the right to find the likeness of Alvise Pisani.   

The Pisani’s must have loved to entertain, because their ballroom is nothing short of spectacular.  The room shimmers with gold trimmings.  High above is an ornate balcony which rings the room – a place for the musicians to play.  And the ceiling! The ceiling fresco is by Tiepolo and it is a marvel. The ballroom is the truly the elegant heart of the villa. Standing here you can almost hear the music playing and can imagine the finely clothed Venetians enjoy a luxurious party.

The visit to the villa includes the piano nobile where a series of rooms are filled with history.  There is the bedroom where King Vittorio Emanuele II slept (left below).  Next door, the room of his second wife, the Contessa di Mirafiori, with a reproduction of one of her dresses (right).

The room dedicated to music and the elegant sala di pranzo (dining room) face out onto the immaculate grounds and the stable (shown below at the end of the reflecting pool and looking very much like another villa).

Napoleon only spent one night here, but he left the villa in the hands of his stepson, Eugene de Beauharnais, Viceroy of Italy.  The Viceroy lived there with his wife, adding fireplaces for heating (most of the Brenta Villas were not heated as they were intended to be summer homes), and creating a chapel, a study and a games room.  The study is where a later historic meeting between Mussolini and Hitler took place prior to World War II.

A peak at the grounds outside the villa. I’ll need a return visit to explore the gardens!

The grounds are equally impressive.  The 30 acres contain a large reflecting pool, stables, an orangery, ice house, and a labyrinth.

Is it true that Napoleon got lost in the labyrinth?  It is said that he did but, to use the Italian phrase, chissà (who knows)?  

The only drawback to our guided visit is that we did not have any time in the gardens.  I will need to go back and wander those beautiful spaces.

Today the Villa and surrounding park is a National Museum.  

The Villa is open from 31 March to 30 September this year, 9 am – 8pm (last admission 1 hour before closing), closed on Mondays.  The labyrinth is currently closed for restoration.

 Coming soon – Part 3, Villa Widmann

 Website: villapisani.beniculturali.it

Email: info@museovillapisani.it

Cost €12 villa + park, €6 park only

Brenta Canal Part One: The Journey

A vintage drawing of a the Villa di Oriaggo along the Brenta Canal

Beginning in the 15th century, the merchants and Noblemen of the Venetian Republic (long before Italy as a unified country came into being) began to acquire property on the mainland west of the Venetian Lagoon. 

The land they developed was used for farming and later for building summer homes and grand villas.  Having a villa along the “Brenta Riviera” was quite fashionable for well-to-do Venetians.   

 The Brenta Canal, a stretch of the Brenta River between Padua and Venice, was the waterway used to move people and goods from the lowlands of Venice up river to Padua.  The canal was modified with a series of locks, some built to a design first developed by Leonardo Da Vinci, to allow boats to make the uphill trip.  

Imagine rowing across the Venetian Lagoon in one of these boats and then being pulled up the Brenta Canal by horses! Sadly, there are no surviving examples of a Burchiello as all were destroyed when Napoleon came to power in Venice.

 Two types of boats travelled the canal.  The first, a burchio, carried goods.  The second, a  burchiello was an ornate boat designed to ferry Noblemen in grand style from Venice to their summer homes on the mainland along the Brenta canal.  The boats were rowed across the lagoon and then pulled by horses up river, passing through a series of locks and under several moveable bridges.

 The tradition of spending summers along the Brenta Canal ended in 1797 when Napoleon arrived and the Venetian Republic fell. Sadly, all of the Burchiello boats were destroyed. We have only drawings but no actual boats to see. Today, a different kind of burchiello travels the canal between Padua and Venice.   Modern motorized boats carry tourists on day-long trips to experience the canal and tour several of the Villas along the route.

The boat for our excursion, named the Burchiellino, tied up at the Villa Foscari

The modern route still uses the old locks to climb up (or down) the 10 meter change in water level along the canal. The boats pass under several sliding bridges and swing bridges – some still operated by hand.

 Along the route are scenes of life along the Brenta canal.

The trip passes by a series of the villas along the way.  Some are sadly in need of repair, some have been adapted for use as restaurants or hotels, and some remain as beautiful and well tended private residences.  A few (lucky for us!) are open to the public. (photos below all taken from the boat on a cloudy day)

On the day-long cruise, with the company Il Burchiello, we were able to visit 3 historic villas – Villa Pisani, Villa Widmann, and the Palladian masterpiece of Villa Foscari.  More about the villas in an upcoming post.  

 Contact info: Il Burchiello www.itburchiello.it. Cost for the full day journey €129 for adults, half day €69