All The Right Ingredients: Extra Virgin Cooking Classes in Lucca, Italy

One of the good things about having friends visit me in Lucca is the chance to recommend activities that I think will enhance their experience, things that may not be found in the guidebooks. Sometimes my suggestions include a visit to a “secret” garden, a hidden away little church, a walk beneath Lucca’s walls, or a local festival.

Another activity I like to recommend - and one of the most fun things to do when visiting Italy - is a cooking class with a local chef. Recently I had the pleasure of spending the day, along with some visiting friends, with Chef Giuseppe Mazzocchi at Extra Virgin Cooking Classes (EVCC) in Lucca. And what a day it was!

Tuscan cooking, and Tuscan olive oil, come naturally to Chef Giuseppe. I guess that is what happens when you are born and raised at your grandfather’s olive mill in a small Tuscan village! Giuseppe began to cook alongside his family and many of the recipes he shares come straight from his nonna (grandmother). More than being a talented chef and teacher, Giuseppe has a love for local culinary traditions and flavors that make his classes a wonderful window into Tuscan life.

Just one detail from the elegant dining table at EVCC (designed by the talented Liz)

If Giuseppe is the heart of the kitchen, then it is his partner Liz who lends elegance to the dining experience. Together they welcome you into their home, invite you into their kitchen, and, once the cooking is done, present an absolutely gorgeous table setting at which to enjoy lunch. Liz’s table settings are picture-worthy touches of luxury.

The class day began in Lucca’s historic center with stops at several small shops to gather supplies. Visits to an historic pastry shop, a fabulous bread baker, and the city’s best fruit and vegetable shop provided a fun start to a morning of cooking.

Then it was into the kitchen, a spacious, well-equipped, and charming workspace inside an historic Lucca home. I had a serious case of kitchen envy, especially for the long farmhouse work table, which I swear was larger than my entire kitchen.

Before we got to work cooking, Giuseppe led us through some tastings. First, three different types of extra virgin olive oil, including a local Tuscan oil. Next, a sampling of pecorino cheeses from fresh to aged to really aged, along with a local chestnut honey which perfectly complimented the cheese. There just may have been some sipping of Prosecco while we tasted. Shh. Don’t tell (usually I wait until afternoon for a Prosecco).

The menu this day started with a raw artichoke salad with a lemony dressing. The shaved artichoke rested on a base of the prettiest greens I’ve ever seen, including a variegated radicchio.

Now that’s a salad !

We had fun learning how to make, and then shape, the gnudi. Gnudi are interesting. They are essentially the filling for a ravioli, ricotta with chard (or spinach) and parmesan, but without being enclosed in a pasta shell. An egg white and some rice flour bind the soft gnudi together and then they are shaped using two spoons to form an oval that will hold together during a brief dance in some boiling water. We also made a quickly cooked tomato sauce which went over the gnudi at the end. The result was a tasty and light as air dish.

Next up - a fragrant risotto with leeks and just the right amount of truffle butter. If only I could share the scent here - it was intoxicating. We even learned the chef’s secret for preparing a risotto without the constant stirring.

Leek and truffle risotto alongside gnudi in tomato sauce

How gorgeous is this berry topped panna cotta? It tasted as good as it looked!

Dessert had been prepared ahead of time for us - a beautiful heart shaped panna cotta with a berry sauce.

Together we plated the panna cotta, topped them with berries, and added a garnish of chopped of fresh mint.

Just when we didn’t think we could eat another bite, cups of espresso came with tiny bites of sweet pastry. Somehow we managed!

After a fun morning preparing food, it was a treat to sit down to lunch at a beautiful table (thank you Liz) and share the meal we had prepared.

Lunch was accompanied by local wines, good conversation, and lots of laughter.

We all agreed that we had spent a perfect day in Giuseppe’s kitchen. We left with recipes, a EVCC apron, and good memories of a day well spent. And we all started planning our return.

Contact info: Extra Virgin Cooking Classes in Lucca with Chef Giuseppe Mazzocchi

Email: tuscancook@gmail.com

Everyday Art in Italy

Italy offers endless opportunities to enjoy art. Here, art is everywhere. Ancient and modern art works fill museums large and small, famous or obscure. Art lives in the great cathedrals and surprises us in small chapels. Sculptures grace many piazzas and small ones fill tiny niches along village streets. Gardens and roadside shrines are decorated with graceful sculpture and artistic fountains.

If the definition of art is expanded to include architecture (as I believe it should be), then Italy truly surrounds us with art in the graceful form of buildings, the curlicue iron work of balconies, the moorish arch of windows, and the decorative brick work along medieval streets. These all help to paint the picture of Italy and fill our senses with artistic beauty.

Sand sculpture - the detail and expression delights, even if only for a short while.

Art or graffiti ? Either way, it certainly captures a certain moment in everyday life in Italy during the pandemic

But there are other, less traditional, forms of art to be found. I think of this as “everyday art”. It changes quickly as street artists and art students, working in paint, chalk, or even sand, lend their decorative talents to city streets, doorways, and just about any surface they can find along buildings and alleyways.

As much as I love the classic pieces to be found in more formal settings, the unexpected works of everyday art really delight me.

A recent form of everyday art found in Lucca graces several of the “garage door” type shutters that are pulled down over the entrances of many businesses. These paintings, done by groups of art students from the Passaglia Institute of Art and by local street artists last summer, are found in the area near the museum dedicated to Puccini in Piazza Cittadella. The series is dedicated to “le donne” (the women) of Puccini’s operas. It’s a fun activity to search these out and determine just which opera they represent. During the day the shops open, the shutters go up, and the paintings disappear. At night, down come the shutters and the works reappear. What fun it is to walk through Lucca early in the morning, before the shops open for the day, and see these works of everyday art.

Another example of everyday art, and one of my favorites, is the street art by Blub. Blub - think of it as the sound of bubbles rising through seawater - paints famous figures from art and history, each in an underwater diving mask. He chooses to remain anonymous, painting in his Florence studio by day and attaching the works under cover of darkness on the outdoor panels (often rusty ones) which enclose gas, electric, and water meters. The painting below, one of my favorites, is just around the corner from my apartment in Lucca. It’s not unusual to see people stop to take a photo !

Blub’s message has been described as “art knows how to swim” but I tend to think of it as saying that when the flood comes, and you are about to drown, put on your diving gear and get a move on.

Blub isn’t the only artist covering utility meter cabinets with his work. On a recent walk through the village of Barga I enjoyed a series of scenes which were also painted on utility boxes.

And this one was found in Lucca’s anfiteatro (the site of the ancient Roman amphitheater). A classic scene on a modern surface.

Street art can also be graffiti painted on the walls of buildings (probably not legal, but still enjoyable) like this one found in Rome in 2019.

It is always a surprise when a new piece of street art appears and each new one makes me smile. Just one more reason that it is delightful to spend time in Italy.

Chalk art in Lucca

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November

November is a gentle month here in Lucca. The tourists, who returned this summer and lingered into September and October, have mostly returned to their homes. Lucca Comics and Games, smaller than usual this year but still bringing lots of costumed visitors to town over the Halloween weekend, has come and gone. We may have given up our summer Aperol Spritzes in favor of deep red wines but we are still enjoying outdoor seating at cafes. I am thankful for the ones that have set up heaters so that we can continue to sip a morning cappuccino or an evening aperitivo outside in a pretty piazza.

Of course the very best part of November is the explosion of color throughout Lucca. A walk along Le Mura (the ancient wall surrounding the historic center of town) is a kaleidoscope of changing views. The wall makes a complete circuit, so that some parts face north, others south, still others east or west. Each section is planted with different types of trees and receives varied amounts of sun and shade, so the type of foliage varies as does the progress of color change and the dropping of leaves. In November, the reds, golds, yellows, and browns provide a complex palette of hues. They contrast with the evergreen pine trees, the green of grass and moss, and the ever changing skies.

Along the southern stretch of the wall.

November walks along the wall engage other senses as well - the sound of dried leaves crunching under foot (or the squish of wet ones on rainy days) and the gentle touch of leaves drifting overhead like a colorful snow storm. But beware the less gentle feel of a chestnut falling on your head! And as a bonus - the distant sound of church bells ringing gives many of my November walks a pleasing soundtrack.

A view towards the Church of St. Gemma, outside the walls of Lucca.

Not all the colorful action takes place on the walls. From the walls, the views out over the larger city of Lucca are also full of fall beauty. And those distant hills!

Distant hills make a dramatic backdrop to the walls northern section.

Throughout town the season is changing too. A walk through the botanic gardens is enchanting at this time of year. The trees ringing Piazza Napoleone are changing colors too. Not all the color is on the trees - colorful scarfs are wrapped around the necks of everyone to ward off the chilly weather.

Piazza Napoleone

Street vendors are beginning to roast chestnuts, a smell that hints of winter just around the corner. And while many of the Americans here are beginning to plan Thanksgiving dinners (we are oh so thankful that we can gather together this year), local shops are already beginning to display Christmas goods (I am not ready for that yet!)

Fall in the Orto Botanico (Botanic Garden)

November here is so lovely - the chilly mornings, the long hours of dusk, the mild temperatures, the colorful trees, even the scattered rain showers. Lucca continues to enchant.

Lucca Biennale Cartasia: Artistic Expression in Paper

Lucca has a long history of paper production, producing household paper goods and cardboard for much of Europe. That history makes Lucca the natural host city for Cartasia, a biennial celebration of art and design in paper. The event premiered in 2004 and has been held every two years since, with a one-year delay in 2020 due to the pandemic.  

 The art of Cartasia ranges from ethereal to whimsical, from statements of social commentary to massive creations with subtle meaning. The exhibit includes visual art, fashion, architecture – all created entirely from various forms of paper.  The last two programs have included a focus on an individual country, this year Japan was selected and an entire room of the indoor exhibit is devoted to Japanese paper art.

“First of All Movement”. Factoria Papel , Claudio Acuña. Displayed in Piazza San Francesco

 After a 2020 marked by so many cancelled events, it’s a joy to have Cartasia return for its 10th edition.  This year’s theme, Paura e Desiderio (Fear and Desire), explores the competing human experiences of fear and desire as interpreted by the various artists.  Also included this year is a retrospective of the first 10 editions of the festival.

“In Between” Paper Atelier (Turker Akman and Deniz Yilmaz Akman). Displayed in Piazza Cittadella

 Although the delicate nature of art made with paper requires a definite “hands-off” viewing experience, the art is not hidden away and hard to access.  In fact, the largest and sturdiest cardboard pieces are displayed outdoors throughout Lucca.  They are built during a month-long stay in Lucca by the artists and then moved to the beautiful piazzas and courtyards of the city to be enjoyed by all. 

“Crossing Borders” Sebastian Blomqvist. Displayed in Piazza Santa Maria

 It’s hard to choose a favorite among the large outdoor pieces, but there is something especially enticing about the work called Hybris, placed high above the street under the Porta dei Borghi at the north end of Via Fillungo.  I can’t pass by without stopping to marvel at its graceful sense of movement.

And who could pass by the expressive face of the dog in “Risky Rewards” by Emma Hardy (below) found under the loggia in Piazza San Michele. Delightful!

Next week I’ll write more about Cartasia, with a look at the indoor exhibits. These include the special section of Japanese paper art and some amazing and creative paper fashions.  

An Italian Seaside Dinner

I’ve been back in Italy for a few weeks now and, while I love being in Lucca, sometimes I long for open spaces and the sound of the sea. So, when friends recently suggested an evening trip to the coast for dinner I replied with an excited YES! I didn’t even ask where exactly we were going - sometimes it’s fun just to be surprised.

The evening delivered a host of very pleasant surprises. First, a pretty back roads drive to Viareggio, about 30 minutes from Lucca. Then, Viareggio itself. Well known for its raucous Carnevale celebrations, graceful Liberty-style buildings and grand hotels, Viareggio is also a beach town. It has a long promenade along the water lined with private beach clubs, shops, cafes and restaurants. It’s a fun seaside town and in early September it still has its summer vibe.

After a short walk along the promenade, we headed to restaurant La Pia, inside one of the private beach clubs. Another surprise - this is no casual beachside restaurant. La Pia is elegant with all white decor broken up only by some greenery, the colorful beach umbrellas in the distance, and the evolving magic of a tramonto al mare (sunset at the sea).

Sunset in Viareggio viewed from our table at La Pia

Considering its seaside location, it’s no surprise that La Pia has a menu full of wonderful seafood dishes. How to choose between the seafood pastas, the fresh grilled fish, the fritto misto (mix of fried seafood)? In the end we shared a light and crispy fritto misto as a starter. With such a hearty appetizer, we skipped a pasta course and each opted for the grilled branzino (sea bass) as a main dish. It was perfectly cooked and beautifully presented on a pool of pureed vegetables. Some grilled eggplant and zucchini made a perfect side dish. The fish paired nicely with a glass of Prosecco.

I was determined to skip desert, really I was. But my companions opted to indulge, one in an gelato covered chocolate truffle and the other in Crepes Suzette. Dessert came with a dose of drama as the copper brazier was wheeled table-side to flame the sauce for the crepes. Delicate, not too sweet, and topped with tiny shreds of orange and lemon peel and a little scoop of gelato it was a good ending to the meal (I admit, I did end up sharing the crepes, so much for good intentions).

The food was great and the company wonderful. The sound of the ocean was soothing. But the sunset - it was pure magic to watch the sky turn red and the sun slowly sink into the sea.