The Rasponi Gardens in Ravenna

With all of the important historic sights and stunning mosaics to see in Ravenna it is important to take some time out. A stop for a coffee or a leisurely lunch provides time to reflect and organize one’s impressions and memories. Even better is to stop by a pretty garden for a few moments of quiet between all the monuments. On a recent trip to Ravenna, two small gardens provided a much needed break in my sightseeing. Both were created by the Rasponi family, who were important economic and political forces in the years between the 1500’s and 1800’s.

Giardino delle Erbe Dimenticate (also called Giardino Rasponi), Ravenna

The first garden was a purely accidental find. While walking across town I spotted a sign for a botanic garden just off Piazza J.F. Kennedy and behind the Palazzo Rasponi dalle Teste. Inside was the sweetest small space called the Giardino delle Erbe Dimenticate (The Forgotten Herb Garden). Originally a walled garden for the oldest Rasponi palazzo in Ravenna, it was recently restored and now serves as a public space. It is not a big garden, just large enough to have a central fountain surrounded by flower and herb beds. Pomegranate and apple trees provide shade. Small tables are scattered throughout - perfect spots for a break from sightseeing or for a bit of lunch from the cafe at the front of the garden. These little almost-hidden spots are some of the most enchanting places to discover.

The second garden space was the Giardini Pensili (Hanging Gardens). The gardens, along with the Rasponi Crypt, are the oldest surviving parts of another Palazzo Rasponi, dating from the late 1700’s, most of which was destroyed by fire in the 1920’s. Today the gardens and crypt lie within the Palazzo della Provincia complex in Piazza San Francesco, not far from Dante’s tomb. The gardens are spread over several terraces which climb up around the central tower housing the crypt. The first garden is on the ground floor and set around a large 3-tiered central fountain. There are hedges and trees and a wonderful feeling of serenity here. From the entry garden, a path leads to the crypt.

The lowest level of the Giardini Pensili (Hanging Gardens)

The crypt most likely served as a small family chapel, it was never used as a burial space. It has wonderful curved brick walls with deep arches between several small rooms. The floors contain some ancient mosaics. Today small art pieces are on display.

Outside the crypt, a staircase leads to the next level of the gardens. Here is a wonderful, restful spot - a shaded arbor with views over the lower garden. What a cool and refreshing spot this must have provided the long ago Rasponi family. Or perhaps it was under this shade that Lord Byron sat with his lover, the Contessa Guiccioli, when he was in Ravenna. The arbor certainly has a romantic air about it.

The top level of the gardens shift the view from the interior of the complex to the outside world. The Basilica of San Francesco and its campanile (bell tower), along with distant views of rooftops and towers, can be seen from this open platform with its interesting ground cover of grass and white rock. There is also a great view of the merlons atop the tower which houses the crypt (the merlons are the M-shaped brick pillars at the very top of many towers and castles).

The climb down from the top gives a different perspective on the gardens and the tower housing the crypt.

Just outside the complex is a perfect place for another break - the Caffè Pasticceria Palumbo, set just under the portico in Piazza San Francesco.

Agriturismo Cretaiole and Luciano's Farm

Some places, and some people, are special.  Agriturismo Cretaiole is one such place and Luciano Moricciani, its founder, is the special person who started it all.  Son Carlo and grandson Nicco, both of whom are pretty special too, have taken over much of the day-to-day operations at the Cretaiole with the help of the delightful Fernanda who is a whiz at organizing everything for guests. But it is Luciano, at 82 years of age, who remains the steady hand, keeper of history, and the warm heart behind the agriturismo and farm.  

Agriturismo Cretaiole - a classic Tuscan stone farmhouse with beautiful accommodations for up to 20 guests.

 I’ve written about Cretaiole before – after my first visit in 2016 and again in 2020. The 2020 visit took place during the pandemic when no other tourists were around. At that time, Carlo kindly allowed my friend and I to stay and participate in the olive harvest.  The quiet of that visit was quite a contrast to the laughter and activity during my first stay. For more info, the previous posts can be found here: www.twopartsitaly.com/2020/11/2/1erwrj2r1njhhb89nvw9j1b43wv5ic. www.twopartsitaly.com/2016/12/14/a-week-at-agriturismo-cretiaole

The living room / kitchen of the Il Granaio apartment at Cretaiole

This year the visitors have returned, many of whom waited nearly three years to reschedule pandemic cancelled trips.  They came for many reasons – the beauty of the Val d’Orcia, the excellent local wines, the peacefulness of Cretaiole’s setting. They also arrived to take part in the wonderful activities included in Cretaiole’s “Dolce Vita” package - pici making, truffle hunting, early morning hikes, group dinners, wine and olive oil tasting. And then there is “The Isabella Experience” which includes luxury linens and many special touches as well as the opportunity to visit all the small villages of the Val d’Orcia which are just a short drive from Cretaiole. 

And, as one guest told me, she came because she’d read about Luciano in several blog posts and had been waiting for 3 years to drink grappa with him! 

 One of the highlights of a Cretaiole stay is a chance to visit Luciano’s farm, Podere San Gregorio, just 10 minutes from Cretaiole.  During my October visit Luciano was recovering from a fall but he was still enthusiastic about walking the farm with us.  He is the person most involved with the animals including sheep, chickens, geese, guinea fowl, one goat, a friendly dog, and some very large pigs.  The sheep are pretty much pets but the pigs are the source of some of the farm’s specialties – prosciutto and salami – all prepared on-site. 

The farm tour includes a stop at the barn where some of the oldest farm tools can be seen and where fascinating tales of the old ways of picking olives and harvesting wheat are told by both Luciano and grandson Nicco.  It is easy to imagine the young Luciano scrambling up the trees on the rather rickety ladder that still hangs in the barn, basket at his waist, collecting olives and trying not to fall out of the tree (a common hazard in those days).

Luciano and me at Podere San Gregorio. I will present this photo on my return to claim a bottle of his Vin Santo.

Next stop: the building where the preparation of meats, sauces, and Vin Santo takes place.  A promise was made that anyone who returns to the farm and presents a photo of themselves with Luciano, hands on the Vin Santo casks, takes home a free bottle.  You can bet I have that photo saved, more because I hope to have another visit with Luciano then for the free bottle. Although that Vin Santo is really tasty!

 Behind the work room is the small room where the white grapes for vin santo are dried. The grapes were still quite moist in mid-October, having only been harvested two weeks before.  They tasted sweet and the aroma was wonderful.

 Besides the barn, garden, work rooms, and animals there is also the large space where the wine is made and the olive oil stored.  Next door is an aging room for pecorino cheese, prosciutto, and salami. The grape harvest had taken place a week or two before, the grapes pressed and the wine placed into the large vats to begin fermenting.  Huge piles of dried grape skins remained, waiting to be sent off to grappa makers.  The olive harvest will take place in late October / early November, so soon the olive oil tanks will be filled with the new 2022 oil.  I would like to go back even if just to buy some of the new oil.

 After the farm tour we all gathered around tables for a straight-from-the-farm lunch.  Slices of bread with Cretaiole olive oil (it is really, really good), local pecorino aged on the farm, platters of prosciutto and salami, caprese salad, and Cretaiole red wine (also quite good).  We finished with some of Luciano’s very special Vin Santo and cantucci for dipping. There may even have been a bit of grappa poured.

It was wonderful to have Luciano with us on the farm tour and again at Cretaiole’s group pici dinner.   He clearly enjoys sharing his stories and his farm with visitors.  He also enjoys talking with visitors and hearing the stories they tell (he speaks Italian and is also great at using google translate to speak with English speaking visitors).  He has a lifetime of experience as an authentic Tuscan contadino (farmer) but, even better, he shares the joy of his land, his family, his farm, and his heart.  Luciano is one very special part of the Cretaiole experience. 

Ti voglio bene Luciano!

Ravenna Part Two: Basilica di San Vitale and the Galla Placidia Mausoleum

This week, more about Ravenna and another two of the city’s important historical sites. One is quite small and the other much larger.

First, the smaller of the two, the Mausoleum of Galla Placidia. Galla Placidia, born around 390 AD, was the daughter of a Roman Emperor (Theodosius I) and wife to both Ataulf, king of the Visigoths, and the Roman Emperor Constantius III. She was also the mother of an emperor. She was powerful in her own right, playing a major role in Roman life and politics. Her contributions to society included construction and restoration of churches, including the mausoleum named for her in Ravenna. Although it is called a mausoleum, the building was used as a chapel and it is not Galla Placidia’s final resting place.

The mausoleum is small and intimate, constructed in the shape of a cross. Plain on the outside, it is stunningly beautiful inside - full of mosaics in dazzling blues and greens, touches of red, and white robed prophets. All of the upper portions of the interior, including the dome, the vaults, and the arches, are filled with brilliant detail and symbolism. There are starry skies, flowers and vines, animals, and a host of religious figures.

So much beauty in such a small space is breathtaking. The intimate size is welcoming and It feels a bit like a spiritual hug.

Detail of one of the lunettes, the Mausoleum of Galla Placidia

I didn’t imagine anything could compare, and yet, just across the grassy field, lies the Basilica of San Vitale…..

The Basilica of San Vitale, Ravenna

The much larger Basilica of San Vitale is different - less intimate, the building more angular outside with more distinct spaces inside. With decoration that goes from floor to ceiling it is hard to know where to look first.

Interior, Basilica of San Vitale, Ravenna

The mosaics are somehow less soft and more crisp, the imagery more clear. Where the Galla Placidia enchants you in to a mystic spirituality the San Vito demands you step up and take note.

Is one more beautiful than the other? Absolutely not, the Basilica is just as amazing but in a different way.

The Basilica’s website says that “getting out of San Vitale is not getting out of a church, is like being torn from a mother’s womb. You have to close your eyes because the light blinds (even if it’s not sunny), the voices deafen (even if people are not there), the world pushes and impacts”. I cannot argue. Stepping inside is to be transported to another world and on leaving it is quite a shock to discover the same old cacophonous world outside. It is that beautiful and enveloping.

The exterior of the Basilica is octagonal, unusual for a basilica, with buttresses. Inside there are huge columns, a central dome, two stories filled with arches and smaller columns (with some of the arches with painted ceilings rather than mosaics), and several alcoves. Pale translucent windows filter the light. Mosaic floors (detail below) are filled with pattern and muted color.

And the mosaics! The dominant color here is a soft green, with plenty of gold too. And almost every surface is decorated in mosaic scenes, even the arched entrances into each alcove. Bible scenes, saints, angels and apostles are everywhere.

With all of the mosaic filled churches in Ravenna, it is impressive that each has its own character and beauty. I couldn’t begin to choose a favorite among them. Put them all together and it is easy to see why Ravenna is filled with UNESCO World Heritage sites. What a treasure!

Ravenna (Part One)

In 25 years of travels in Italy, how did I miss Ravenna?  My first visit came just last month when I spent a few days there with two friends at the end of our trip on the Treno di Dante (Dante’s Train). While a short visit wasn’t enough time to explore everything Ravenna has to offer, I was able to stand in wonder before the mosaics for which the city is famous, visit Dante’s tomb, and soak in the special atmosphere of this city on Italy’s Adriatic coast.

The tomb of Dante Alighieri in Ravenna

 Living in the Medieval city of Lucca, I thought I had a real appreciation for all things “old”.  But while Lucca brings to mind the 1400’s, Ravenna evokes an era nearly 1000 years before that.  Many of the buildings, with their Byzantine mosaic decorations, date from the 5th century, after the fall of Rome and at the very beginning of the middle ages.  By the time Dante arrived in the city, in 1321, the mosaics were already ancient and provided inspiration for his poetry. 

 It would be easy to be overwhelmed by the number of historic and art filled spaces in Ravenna, so it is important to not try to see them all in one day, or even one visit.  Our first afternoon was spent mostly wandering through town and getting a feel for the city. We also made a stop at Dante’s tomb.

The Basilica of Sant’Apollinare Nuovo, Ravenna

The next two days were devoted to viewing mosaic filled buildings: churches, a baptistery, a museum, and two mausoleum / small chapels. A couple of gardens provided a refreshing break between historic sights and a chance to see another side of Ravenna.

 Our first stop was the Basilica di Sant’Apollinare Nuovo, built near the beginning of the 6th century as a chapel for King Theodoric.  It has had some restoration and remodels over the years along with several name changes. The current name comes from the fact that the church contains relics from Saint Apollinare and it is the newer of two Sant’Apollinare Basilicas in town (the other is Sant’Apollinare in Classe, a bit outside of the city center). The exterior is plain brick but oh, the interior!  The whole room seems infused with color, especially gold. The basilica provided the first of many WOW moments in Ravenna.

The church has a long, tall central nave, with columns supporting arches along both sides (top photo).  Above the arches are three levels of mosaics, small ones at the top and larger ones in the middle and bottom rows.  Depicted are events from the New Testament along with a parade of saints, martyrs, wise men, and virgins.  There are also scenes of miracles and of the Ravenna of more than 1000 years ago.  I doubt that photos can do justice to the mosaics, but here are a few of the scenes that entranced me.

 From the large basilica we headed to the small Battistero Neoniano (Neonian Baptistery, entry ticket and reservation required). This is one of the oldest sites in Ravenna, built early in the 5th century when Ravenna was the seat of the Western Roman Empire.  Like many baptisteries, it is octagonal in shape and contains a large marble baptismal font. 

Central mosaic, Battistero Neoniano, Ravenna

The central dome has a mosaic image of the baptism of Christ – one of the earliest known images of this type.  Moving out from that central image is a mosaic parade of the 12 apostles.  Around the dome’s edges are a series of alternating thrones and altars. The dominant color here is a vibrant blue, although there is still plenty of gold. The walls below the dome also have beautiful decorations with marble carvings and intricate mosaic work. The detail and color fill the small space and feel like a genuine miracle.

Bishop’s chair, Museo e Cappella Arcivescovile, Ravenna

In the Museo e Cappella Arcivescovile (Bishop’s Museum and Chapel) there are many interesting things to see, including fragments of mosaics from an ancient destroyed church and an intricately carved bishop’s chair (almost a throne really).

The most compelling feature is the tiny chapel, built for the private worship of a long ago Bishop, which is set inside the museum.

The entry mosaics are colorful and depict Ravenna’s aquatic birds The apse is topped by a starry heaven. The small space is intimate and welcoming.

Cappella Arcivescovile, Ravenna

Just as trying to see all of Ravenna’s important sights in one day can be overwhelming, so can reading about them. Look for more about Ravenna including the Basilica di San Vitale and the Galla Placidia Mausoleum in the coming weeks.

A Walk Through Brisighella

The region of Emilia-Romagna stretches from Tuscany to the Adriatic coast. Many of its cities are well known for their cuisine. It is some of the best in Italy - think Bologna, Parma, and Modena. Of course this region also makes some outstanding cars and motorcycles with famous names like Ferrari, Ducati, Lamborghini, Maserati. Beyond that, there is one of the oldest universities in the world, the University of Bologna. It is a region full of diverse riches including a host of UNESCO World Heritage sites.

The Treno di Dante makes a 90 minute stop in Brisighella on some of its itineraries.

There are still some hidden gems in Emilia - Romagna, places off the usual tourist routes. One of these places is the borgo (small village) of Brisighella. I knew nothing about this hamlet before I booked my passage on the vintage Treno di Dante (Dante’s Train) which made a stop there on the way to Ravenna. I included a few photos of Brisighella in last week’s post about the Treno di Dante, but I had so many more photos of this intriguing little village that I had to give it its very own post.

A 90 minute whistle stop doesn’t give nearly enough time to get to know this medieval village. But it’s enough time to spark curiosity and a desire to return. I am already thinking about another visit, perhaps next spring when there is a celebration of the local specialty, the Moretto artichoke. In the meantime, I will share some glimpses of this intriguing borgo.

Looking over Brisighella’s rooftops from up above the Via degli Asini

“Main Street” in Brisighella

From the train station, it is a short walk through a pretty park to get to the center of town.

There is one primary street, lined with cafes, shops, and small restaurants. The buildings are colorful, artisan goods spill out of the shops to invite browsing, and there are lots of flowers. Even the street signs are interesting.

Small alleys and steep stairs branch out from the main road.

The views of the surrounding hills add to the joy of wandering through town.

Above the town are two landmarks. The first is the castle fortress, the Rocca Manfrediana, built in the 14th centrury. The second is the not-quite-so-old (19th century) Torre dell’Orologia (clock tower) that seems to rise magically from the rock formation at its base. In some ways the entire city seems to have risen from the rocks.

Rising above the main street is the Via del Borgo, also known as the Via degli Asini. Long ago this was an important defensive structure. Later asini (donkeys) climbed this street with their loads of gypsum. Today it is lined with small homes with characteristic wooden doors, pretty windows, and a series of arches framing views of the street below and the distant hills.

Up above the Via degli Asini is a pathway that leads to views of rooftops, distant hills, and the fortress. As for the donkeys, the only ones we saw were in a ceramic shop - a colorful souvenir of a stop in Brisighella.

Like other places in Emiglia - Romagna, Brisighella is supposed to have excellent food. On my short visit there was no time for lunch, just a quick coffee. This gives me one more reason to plan a return visit. Next time I will take the regular train, about a 3 1/2 hour journey from my home in Lucca. With winter coming up, I’ll enjoy doing some planning for spring adventures on cold winter morning.

Melograni (pomegranates) growing in Brisighella