Spring in Pietrasanta: Art, Philosophy, and Giraffes

Pietrasanta has everything a small town in Italy should have - beautiful scenery, a lively main piazza, historic buildings and statues, a lovely church, cafes, and good food. And art. It is the art that draws me back time after time.

One of many whimsical giraffes that can be seen throughout Pietrasanta this month.

Visiting is easy as it is just an hour-long train ride from my home in Lucca. Unless of course, as in my most recent visit, there is an interruption on the tracks, train delays, an extra change of trains, a track in a tiny station with no signage, and you hop on the wrong train and have to double back. But don’t let that discourage you! My friend and I laughed it off and eventually arrived to spend a lovely day in Pietrasanta.

Famous as a center of sculpture (the marble quarries of Carrara are nearby), the town has permanent outdoor installations of bronze and marble sculptures, from smaller pieces to Botero’s massive bronze warrior (below).

In addition to these permanent works, Pietrasanta hosts temporary exhibits which fill the main piazza and nearby spaces (as well as some indoor spots) with an ever-changing display of works by contemporary artists.

The current exhibit, in place until June 5th, features the artistry of Sandro Gorra. Gorra’s background is in commercial art where he worked as an illustrator and creative director for advertising campaigns. That was his work. Today, he concentrates on his art which includes sculpture, illustrations, and a sort of philosophical short poetry which accompanies his works. And then there are his giraffes.

Gorra says that this piece, made from 4 tons of marble, is one of his favorites. A loving mother giraffe tending to her baby.

Why giraffes? According to a published interview with Gorra, the giraffes serve as a parable, representing man’s desire for superiority. A giraffe towers above, looking down on everyone. Each one is unique in his spotted form.

This begs the question - without those spots, what would the giraffe be? Anonymous! Naked!

Change - a predictable part of life - in progress.

Change is inevitable and the spots on Gorra’s giraffes do indeed change. They fade away, they fall off, new ones appear. In fact, during my visit, two men, one looking suspiciously like the artist himself (or was that just my imagination?) were busy painting new spots on two of the giraffes. This would be consistent with Gorra’s view that change is to be expected and that irony is a part of the human (and giraffe) condition.

Alongside the works of art are illustrated phrases, providing an intriguing look into the artist’s mind and bits of his philosophy. I enjoyed these sprigs of wisdom just as much as the sculptures. Both made me smile, both made me think. Isn’t that the best part of art?

Here are some examples (any mistakes in translation are entirely my fault).

Don’t erase it, it is not a stain. It is your sign.

Ideas are always around, but if you don’t notice them they go away

And my favorite one of all - it just may become my personal mantra:

Everyone should read at least one giraffe a day.

A day in Pietrasanta is always a joy. Sipping a cafe in the Piazza del Duomo. Strolling through the piazza and the Chiostro di Sant’Agostino. A quick visit to the beautiful Duomo. Wandering the side streets. A quick stop at the Misericordia Chapel to see Botero’s Heaven and Hell frescoes. A relaxed lunch at a favorite spot. Add in Gorra’s giraffes and the day is just perfect!

Villa Torrigiani di Camigliano

For wealthy and prominent citizens of Lucca in the 16th and 17th century, having a villa outside of the city was both a summer getaway to the cool, fresh air of the hills and a status symbol. The villas were set in farmland, olive groves, or amid grape vines and were often surrounded by lovely gardens. Luckily for us, many of those historic villas still exist, are open to visitors, and are just a short distance from Lucca. A perfect day excursion.

The worker’s cottages are in Borgo Parigi, just outside the villa’s gates.

One such place is the Villa Torrigiani in the tiny village of Camigliano, in the commune of Capannori, about 6 miles from Lucca. The villa is framed by stone walls with large gates. The approach brings you slowly closer to the villa on a path that cuts through open fields. When I visited in mid-April, the fields were full of vibrant yellow buttercups and small purple flowers.

Close to the villa’s gates lies the small, picturesque Borgo Parigi which at one time housed the estate’s workers. After passing through the stone buildings of Borgo Parigi it is on to the villa itself, just across the road.

The “new” facade, from the 1600’s, was much more ornate than the original one

Villa Torrigiani sits in a park-like setting, surrounded by reflecting pools, broad lawns, trees, water features, and manicured gardens. The history of the villa is fascinating. The summer home of Lucca’s Buonvisi family in the 1500’s, it had a simple facade and was surrounded by vegetable gardens. When the Buonvisi fortunes changed (because the King of France failed to repay them money he owed) the villa had to be sold. Enter Marquis Nicolao Santini, the Ambassador from Lucca (at that time Lucca was an independent republic) to Versailles and the court of Louis XIV. Santini purchased the Villa in 1636 and began to rework the more simple Italian villa into a French style building and garden - a smaller version of Versailles. The facade was changed to the more elaborate style that we see today, complete with the columns, statues, arches, and a variety of colors.

This staircase leads down to the lower level garden and it hides a surprise - a narrow grotto passage full of mythical creatures. Don’t be afraid to enter!

The Marquis Santini also banished the vegetable gardens in favor of elegant reflecting pools surrounded by flower gardens and avenues of cypress trees. A stunning tiered staircase leading from the foot of a long pool down to a sunken garden, complete with a nymphaeum (the Ninfeo di Venti, middle photo below) at one end and a hidden grotto passage at the other, were also added. To create that French feel in the garden, the Marquis employed André Le Nötre, one of the designers of Versailles.

The villa landscape has continued to undergo changes, the biggest being a change in the 18th century to a more English style garden. Out went the flower beds around the reflecting pools and in came broad lawns, imported trees (including Magnolias, Cedars, and Camellias), and a wooded area. At some point the vineyards behind the house were also removed (though the old wine cellar remains).

The villa itself is also interesting. The ground floor is open for tours (arranged at the ticket booth just inside the entry gates). The tour guides provide wonderful historical perspective, plus with much of the information I’ve recounted here, along with family history of the occupants from the earliest Marquis to the present day owners. The glimpse inside the house is a chance to admire the still vibrant ceiling frescoes (look for camellias, a symbol of the family), the trompe l’oeil wall decorations, and many other artifacts on display.

The rear loggia of the Villa Torrigiani and the meeting place for tours of the home.

The villa is large but once past the ornate facade it has a very human scale. Perhaps that is because it remains to this day the summer home of descendants of the Santini-Torrigiani family. Family photos are scattered throughout, original fabrics adorn the beds, the dining table is set, there is even a dress worn by a previous occupant (1920’s style) on display in her bedroom. It is easy to imagine sitting on the back loggia with a book and a cup of tea, enjoying the birdsong, the breeze, and the history. Because this is still a family home (the family quarters are upstairs, tucked away from the visitors downstairs) photography is not permitted inside the villa. It was a challenge to keep my camera in my pocket and not to dash up the stairs to see the upper floors!

Just as it did for Lucca’s historic families, a visit to a villa outside of town provides a countryside experience different from that of the walled city. There are 6 historic villas to visit close to Lucca, Villa Torrigiani is a good place to start.

The villa is open from March through November. 10am - 1pm and 2:30 pm - 6 pm. Note that they may close earlier in bad weather.

Contact Info: Villa Torrigiani del Camigliano. Via del Gomberaio 3, Camigliano email: villacamigliano@gmail.com phone: +39 0583 928041 tickets available on site, 8€ for the garden only, 15€ garden plus villa

The family chapel on the grounds of the Villa Torrigiani

All The Right Ingredients: Extra Virgin Cooking Classes in Lucca, Italy

One of the good things about having friends visit me in Lucca is the chance to recommend activities that I think will enhance their experience, things that may not be found in the guidebooks. Sometimes my suggestions include a visit to a “secret” garden, a hidden away little church, a walk beneath Lucca’s walls, or a local festival.

Another activity I like to recommend - and one of the most fun things to do when visiting Italy - is a cooking class with a local chef. Recently I had the pleasure of spending the day, along with some visiting friends, with Chef Giuseppe Mazzocchi at Extra Virgin Cooking Classes (EVCC) in Lucca. And what a day it was!

Tuscan cooking, and Tuscan olive oil, come naturally to Chef Giuseppe. I guess that is what happens when you are born and raised at your grandfather’s olive mill in a small Tuscan village! Giuseppe began to cook alongside his family and many of the recipes he shares come straight from his nonna (grandmother). More than being a talented chef and teacher, Giuseppe has a love for local culinary traditions and flavors that make his classes a wonderful window into Tuscan life.

Just one detail from the elegant dining table at EVCC (designed by the talented Liz)

If Giuseppe is the heart of the kitchen, then it is his partner Liz who lends elegance to the dining experience. Together they welcome you into their home, invite you into their kitchen, and, once the cooking is done, present an absolutely gorgeous table setting at which to enjoy lunch. Liz’s table settings are picture-worthy touches of luxury.

The class day began in Lucca’s historic center with stops at several small shops to gather supplies. Visits to an historic pastry shop, a fabulous bread baker, and the city’s best fruit and vegetable shop provided a fun start to a morning of cooking.

Then it was into the kitchen, a spacious, well-equipped, and charming workspace inside an historic Lucca home. I had a serious case of kitchen envy, especially for the long farmhouse work table, which I swear was larger than my entire kitchen.

Before we got to work cooking, Giuseppe led us through some tastings. First, three different types of extra virgin olive oil, including a local Tuscan oil. Next, a sampling of pecorino cheeses from fresh to aged to really aged, along with a local chestnut honey which perfectly complimented the cheese. There just may have been some sipping of Prosecco while we tasted. Shh. Don’t tell (usually I wait until afternoon for a Prosecco).

The menu this day started with a raw artichoke salad with a lemony dressing. The shaved artichoke rested on a base of the prettiest greens I’ve ever seen, including a variegated radicchio.

Now that’s a salad !

We had fun learning how to make, and then shape, the gnudi. Gnudi are interesting. They are essentially the filling for a ravioli, ricotta with chard (or spinach) and parmesan, but without being enclosed in a pasta shell. An egg white and some rice flour bind the soft gnudi together and then they are shaped using two spoons to form an oval that will hold together during a brief dance in some boiling water. We also made a quickly cooked tomato sauce which went over the gnudi at the end. The result was a tasty and light as air dish.

Next up - a fragrant risotto with leeks and just the right amount of truffle butter. If only I could share the scent here - it was intoxicating. We even learned the chef’s secret for preparing a risotto without the constant stirring.

Leek and truffle risotto alongside gnudi in tomato sauce

How gorgeous is this berry topped panna cotta? It tasted as good as it looked!

Dessert had been prepared ahead of time for us - a beautiful heart shaped panna cotta with a berry sauce.

Together we plated the panna cotta, topped them with berries, and added a garnish of chopped of fresh mint.

Just when we didn’t think we could eat another bite, cups of espresso came with tiny bites of sweet pastry. Somehow we managed!

After a fun morning preparing food, it was a treat to sit down to lunch at a beautiful table (thank you Liz) and share the meal we had prepared.

Lunch was accompanied by local wines, good conversation, and lots of laughter.

We all agreed that we had spent a perfect day in Giuseppe’s kitchen. We left with recipes, a EVCC apron, and good memories of a day well spent. And we all started planning our return.

Contact info: Extra Virgin Cooking Classes in Lucca with Chef Giuseppe Mazzocchi

Email: tuscancook@gmail.com

A Lucchese April

April can be a fickle month here in Lucca. After a few warm days in late March, the kind of days that almost trick you into packing away the winter sweaters, April barged in with colder days, wind, cloudy skies, and rain. The rain is much needed after a dry winter, so I won’t complain. And if the saying is true, and April showers really do bring May flowers, then Lucca should have a most colorful May.

This stand of white wisteria was an early bloomer this spring

Despite the early April chill, the days are growing longer, the first leaves have appeared on the trees, and the first blossoms throughout town hold the promise that warm spring weather will soon arrive.

Verde Mura is the perfect place to buy pots of herbs for the garden.

Perhaps the best harbinger of spring is the return, after a two year COVID-related pause, of Lucca’s spring garden festival - the Verde Mura. This wonderful event showcases all things needed to plant and tend a garden. It doesn’t matter if your garden is just a few pots on a terrace, a couple of window boxes, or a large orto (vegetable garden), the Verde Mura has what you need. The festival takes place up on the walls that surround Lucca’s centro storico (historic center) which means that the views are part of the fun.

Garden art at Verde Mura

Local gardeners pull wagons through the many booths, collecting everything from rose bushes to fruit trees to annual flowers and herbs. Need a tractor? Well, Verde Mura has just the one. Same with shovels, clay pots, bug sprays, fertilizer, seeds, and outdoor grills. In addition to these garden necessities, this is the place to find whimsical garden art, herbal products (soaps, teas, spices, syrups), fragrant spices, and a variety of crafts.

It is always fun to see traditional craftsmen at work; I especially love watching the basket weavers and broom makers.

Of course there was food (this is Italy after all). In addition to booths serving coffee and sweets there were plenty of vendors of local meats, cheeses, honey, pasta, and breads - most offering an assaggio (a taste). One booth had mounds of beautiful spring artichokes, bundles of aspargus, pretty Tropea onions and ripe strawberries from the south of Italy.

There was even the cutest little wine truck!

A break in the rain allowed for a slow morning wander through the many booths and displays of plants.

I came home with some herbs which are now happily planted in my window boxes as well as a colorful bouquet of ranunculi for my apartment.

I may have needed a warm coat, a scarf, and a hat against the chill but there was still a hint of spring in the air. I am looking forward to seeing the season unfold.

Everyday Art in Italy

Italy offers endless opportunities to enjoy art. Here, art is everywhere. Ancient and modern art works fill museums large and small, famous or obscure. Art lives in the great cathedrals and surprises us in small chapels. Sculptures grace many piazzas and small ones fill tiny niches along village streets. Gardens and roadside shrines are decorated with graceful sculpture and artistic fountains.

If the definition of art is expanded to include architecture (as I believe it should be), then Italy truly surrounds us with art in the graceful form of buildings, the curlicue iron work of balconies, the moorish arch of windows, and the decorative brick work along medieval streets. These all help to paint the picture of Italy and fill our senses with artistic beauty.

Sand sculpture - the detail and expression delights, even if only for a short while.

Art or graffiti ? Either way, it certainly captures a certain moment in everyday life in Italy during the pandemic

But there are other, less traditional, forms of art to be found. I think of this as “everyday art”. It changes quickly as street artists and art students, working in paint, chalk, or even sand, lend their decorative talents to city streets, doorways, and just about any surface they can find along buildings and alleyways.

As much as I love the classic pieces to be found in more formal settings, the unexpected works of everyday art really delight me.

A recent form of everyday art found in Lucca graces several of the “garage door” type shutters that are pulled down over the entrances of many businesses. These paintings, done by groups of art students from the Passaglia Institute of Art and by local street artists last summer, are found in the area near the museum dedicated to Puccini in Piazza Cittadella. The series is dedicated to “le donne” (the women) of Puccini’s operas. It’s a fun activity to search these out and determine just which opera they represent. During the day the shops open, the shutters go up, and the paintings disappear. At night, down come the shutters and the works reappear. What fun it is to walk through Lucca early in the morning, before the shops open for the day, and see these works of everyday art.

Another example of everyday art, and one of my favorites, is the street art by Blub. Blub - think of it as the sound of bubbles rising through seawater - paints famous figures from art and history, each in an underwater diving mask. He chooses to remain anonymous, painting in his Florence studio by day and attaching the works under cover of darkness on the outdoor panels (often rusty ones) which enclose gas, electric, and water meters. The painting below, one of my favorites, is just around the corner from my apartment in Lucca. It’s not unusual to see people stop to take a photo !

Blub’s message has been described as “art knows how to swim” but I tend to think of it as saying that when the flood comes, and you are about to drown, put on your diving gear and get a move on.

Blub isn’t the only artist covering utility meter cabinets with his work. On a recent walk through the village of Barga I enjoyed a series of scenes which were also painted on utility boxes.

And this one was found in Lucca’s anfiteatro (the site of the ancient Roman amphitheater). A classic scene on a modern surface.

Street art can also be graffiti painted on the walls of buildings (probably not legal, but still enjoyable) like this one found in Rome in 2019.

It is always a surprise when a new piece of street art appears and each new one makes me smile. Just one more reason that it is delightful to spend time in Italy.

Chalk art in Lucca

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