Palazzo Davanzati. A Glimpse into a 14th Century Florentine HOme

A madonna and child tucked away in a painted niche at Palazzo Davanzati.

There are so many museums and historic buildings in Florence that it is all too easy to overlook some of the city’s lesser-known places. One of those is Palazzo Davanzati, the Museo della Casa Fiorentina Antica (Museum of the Antique Florentine House). The Davanzati is one of Florence’s “minor” museums, which has fewer visits by tourists but is much loved by locals. Step inside and be immediately transported back in time as you visit a 14th century home in Florence. 

The palazzo was constructed in the mid-14th century and purchased by the Davanzatis, a family of well-to-do merchants, in 1578.  It is their coat of arms that rests above the entry doors. The family occupied the residence until 1838 when it is said that Bernardo Davanzati ended his life by jumping from the loggia. A tragic ending to the families ownershop. Might his spirit still roam the palazzo?

After the Davanzati’s time, the building was broken up into separate spaces, used for various purposes, and eventually abandoned.  1904 it was acquired by Elia Volpe who restored the property and opened it as a private museum.  Unfortunately, Volpi auctioned off most of the property’s contents, including furnishings and art.  But, importantly, he did not allow the frescoed walls, which had been covered in plaster prior to his restoration efforts, to be removed.  We should all be eternally grateful to Volpi for that decision, because the paintings on the walls are spectacular and one of the best examples of such work from that time period to be preserved. 

Parrot Room, Palazzo Davanzati

The palazzo changed hands after Volpi’s time, eventually purchased by the Italian State in 1951.  Since that time it has undergone a series of preservation efforts. Today, the entry courtyard andnupper floors are open to visitors. The furnishings are not original to the palazzo, but are characteristic of the periods in which it served as a home. The painted rooms have been carefully restored. 

The architecture of the palazzo is remarkable. The facade with its coat of arms and open loggia up top, the large arched entry doors, and the columned courtyard add up to a truly grand entrance. Inside, the courtyard is open to the floors above and a massive stone staircase leads the way to the family quarters. The floor plan is symmetrical with one large reception room on each floor surrounded by dining rooms, bedrooms, and many with unique painted wall decorations.

Detail, Chatelaine de Vergy fresco (photo from Museum of Florence website)

The painted rooms boast colorful and intricate patterns.   I wish I had read the legend of the Chatelaine de Vergy, beautifully depicted in one of the former bedrooms, before my visit.  A tragic tale of love gone wrong, it is beautifully depicted in painted panels around the room.  

And the Sala dei Pappagalli (Parrots Room) is not to be missed!   

Detail, Sala dei Pappagalli

I am always most interested in the way that an old dwelling reflects how life worked during a specific time period. At Palazzo Davanzati, two things that reflected everyday life were the most intriguing to me. One, a well which runs from the top floor kitchen all the way down through the house with an opening on each floor.  What a luxury during medieval times to have such a supply of water. 

The other was the kitchen, located on the top floor.  With a large fireplace, cooking utensils, and sewing tools, the room held the spirit of those long ago Davanzatis (or at least of their household staff).

Near the kitchen was another painted room, the Camera della Impannate (camera means bedroom, impannate were fabric panels uses as window coverings in place of glass). With a small frescoed fireplace and wall paintings featuring animal designs and the Florentine fleur-de-lys, I think this was the coziest of all the bedrooms.


A more recent addition to the museum is a collection of vintage lace.   With more than 2000 lace pieces, along with christening gowns, crocheted baby bonnets, and some lady’s “foundation wear”, it will fascinate anyone interested in fabrics and lace.  Many of the lace pieces are placed in pull out drawers – be sure to open them! 

I thoroughly enjoyed spending an afternoon at the Davanzati. It was uncrowded and a wonderful departure from the bigger museums. It was fascinating to glimpse into life in Florence from the 14th to the 18th century. A visit here is definitely worth adding to your next visit to Florence.

Note: There is a YouTube video of a lecture given by Paola D’Agostino, the director of the Bargello Museum, on the history of Palazzo Davanzati and its collections. A bit academic, but worth a listen to learn more about this important piece of Florentine History and the evolution of the museum’s collections. It can be found on YouTube titled Palazzo Davanzati: A Medieval Time Machine. The information on the lace exhibit is particularly interesting.

 

Museo dell’Opera del Duomo (The Museum of the Works of the Cathedral, Florence)

Many years ago, on my first visit to Florence, I visited the Museo dell’Opera del Duomo (the museum associated with the Cathedral of Santa Maria del Fiore, usually referred to as “the Duomo”). At that time (1996), the museum was a jumble of a space, small and crowded with poorly displayed art and artifacts from the famous cathedral. I was not inspired to return.

Detail from a sculpture by Ticciati, once part of the main altar in the Duomo, now in the redesigned museum entry

Detail from a sculpture by Ticciati, once part of the main altar in the Duomo, now in the redesigned museum entry

 In recent years, the museum has been enlarged and has undergone a top-to-bottom renovation (completed in 2015). On a recent trip to Florence I decided to revisit the museum to see the changes – and my only word is WOW - what a change! 

16th century bust of Mary Magdalene, Giovanni Bandini

16th century bust of Mary Magdalene, Giovanni Bandini

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The museum is now an amazing space, full of light, open galleries, and fascinating art and artifacts from throughout the cathedral’s history.

The displays are well organized, beautifully presented, and provide good historical context.

Many of the pieces are original, moved from the cathedral itself. These include Ghiberti’s bronze baptistery doors, an evocative Pietà by Michelangelo, a carved wooden Mary Magdalene by Donatello, and portions of a larger-than-life sculpture from what was once a main altar in an earlier version of the cathedral (top photo).

A reproduction of the church facade, lined with statuary, fills the long, high gallery on the ground floor. How wonderful to get a closer look at these examples of statues that are so high up on the actual cathedral’s exterior. The facade can also be enjoyed from a viewing gallery on the floor above, which provides an even closer look at the statues high up on the recreated facade.

Statue gallery

Statue gallery

 Across from this wall of statues are the two massive bronze baptistery doors by Ghiberti. I could spend hours looking at the details of the panels that make up these doors. Each panel tells a story in intricate detail.

Detail of panels from the north baptistry doors

Detail of panels from the north baptistry doors

Wooden model of the lantern that rises above the cupola

Wooden model of the lantern that rises above the cupola

Central to the history of the cathedral is the building of the cupola (dome). Designed by Brunelleschi, it is a marvel of engineering and architecture.

The museum has an area dedicated to its construction that includes models of the dome and the lantern that caps it, a video presentation, and a display of tools used in the dome’s construction.

 Considering that the cupola was built in the 15th century, is this impressive engineering or miracle?

 One of my favorite displays was the reproductions of the stained glass windows.  More than a static display, the dynamic technology brings the windows up close, allowing the brilliant colors and designs to unfold before one’s eyes to be viewed in detail.

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Of course a cathedral must have music and  the museum includes beautifully illustrated books of sacred music and two marble choir lofts (actually designed for organs not choirs). One loft was designed by della Robbia and the other by Donatello.  Both are beautiful but quite different in character.

Joyful children play across della Robbia’s sculpted choir loft

Joyful children play across della Robbia’s sculpted choir loft

Detail from large book of sacred music

Detail from large book of sacred music

To end a visit here, be sure to view the actual dome from the viewing platform on the museum’s top floor.

The redesigned Museo dell’Opera del Duomo is nothing short of marvelous. Kudos to the redesign team - what a gift they have given us.   - Post by JMB

Location:   Piazza del Duomo 9, 50122 Florence, Italy

Hours:  Sunday through Saturday 9 a.m. to 7 p.m., Sunday 9 a.m. to 2 p.m.  Closed Mondays and first Tuesday of the month.  Hours subject to change; best to check ahead of time

Cost: an 18 euro ticket allows access to the museum and baptistery .  Several combined museum tickets also area available